DISCOVERY, TV4, AND VIAPLAY FILE TAKE LEGAL ACTION AGAINST OPERATORS

Nordic broadcasters Discovery, TV4, and Viaplay have begun legal action against several operators as part of a crackdown on illegal operators.

The three companies have filed a claim with the Stockholm District Court, Patent and Market Court that says the operators are enabling unlicensed service to gain access to their copyrighted content.

One lawsuit said subscribers to the internet service providers have been able to connect to domains run by Nordic One/N1 via their internet connections, gaining them access to the illegal restransmission.

According to the Stockholm-based consultancy Mediaviion said Nordic One/N1 was described as one of the largest criminal entities in Sweden and the Nordic region in relation to illegal IPTV. The service hijacks television broadcasts from TV companies and distributors, then rebroadcasts them to the public for a fee via its own servers – without the consent of the rights holders.

“In light of this, it can be concluded that the internet providers have contributed to Nordic One/N1’s infringement of the rights holders’ respective signal rights,” the lawsuit states.

Discovery, TV4, and Viaplay are seeking a court order to prohibit internet service providers from facilitating the illegal use of their content. In other words, operators should be required to pay a specified sum if they violate the ban. The TV companies argue that the operators are partly responsible, meaning they are facilitating copyright infringement by failing to take action.

The case has echoes of the action taken by LaLiga against Cloudflare.

Mediavision says a growing number of Swedish households are now subscribing to the illegal services. Its data shows that at the end of 2024, over 700,000 households in Sweden were paying for such services – a new record and a significant increase compared to spring 2024.

Source: broadbandtvnews.com

ČT RETAINED THE LEAD IN FEBRUARY, NOVA CONTINUES TO GROW. IT HAS THE BEST RESULTS ALSO IN PRIME-TIME

Czech Television channels had the highest share in the universal 15+ group in February. However, the Nova group, which has the most airtime and also the share in younger audience groups, is growing the most.

Czech Television and its channels maintained the highest share of the TV market in the 15+ audience group in full-time broadcasting this February. Overall, it recorded a share of 28.84%, down 0.9 percentage points year-on-year. In that audience group, the Nova group (27.97%) came close to CT, gaining less than two percentage points compared to February 2024. Close behind was the third Prima group (27.29%), whose share was 0.8 percentage points lower year-on-year. This is according to official data from ATO-Nielsen.

In primary airtime in all key audience groups, as well as in all-day broadcasting in the 15-54 and 18-69 groups, the Nova group has the highest share. Compared to last February’s results, Nova improved in all audience categories, with a significant increase in prime-time share. Nova is the only group in the strong three to improve year-on-year.

Televize Seznam also continues to grow. It ended February with a share of just under 2% and increased its share in the wider 15+ group by 0.5 percentage points. In its primary 18-69 group, its share increased by 0.4 percentage points. This represents a 21% increase year-on-year. It is also increasing its share in prime time.

The Barrandov Group confirmed the stabilisation of results and year-on-year improvements in the 15-54 audience group and in the 18-69 in the evening. TV Barrandov’s main channel showed a slightly better result in February in the wider 15+ group compared to the same month last year (+0.05 pp).

TV Nova is growing the fastests

Of the individual stations, TV Nova posted the highest year-on-year increase in February. In the over-15 audience group in all-day broadcasting, it was almost one percentage point. The news channels CT24 (+0.86 pp) and CNN Prima News (+0.53 pp) also performed well. The Nova Gold (+0.5 pp.), Televize Seznam (+0.5 pp.), Prima Krimi (+0.36 pp.) and Nova Lady (+0.23 pp.) also posted higher shares in February.

Sumava King of the Month

The most watched programme of February was the opening episode of the trilogy Král Šumavy: Fantom temného kraje (Nova), which was watched by 1.26 million viewers (15+, share 32%). This was followed by Televizní noviny (Nova), whose most-watched edition was on 2 February 2025, with 1.22 million viewers, and the top three were rounded off by Zázraky přírody (CT1) with 1.15 million viewers (episode broadcast on 1 February 2025). All shown for CS 15+.

Source: mediaguru.cz

Frequency Spectrum Management Strategy

Position of the Association of Commercial Television on the Czech Telecommunication Office’s Radio Spectrum Management Strategy

 

FEBRUARY 2025

Key comment on the document: 

 In the commented document, we propose removing the intention of the Czech Telecommunication Office (as mentioned, for example, on pages 4, 12, and 13) to prepare a proposal for adjusting the amount of fees for the use of radio spectrum (and the principles for their determination). Specifically, we propose abandoning the measure under which the Czech Telecommunication Office (CTO) would prepare a draft amendment to Government Regulation No. 154/2005 Coll., on the determination of the amount and method of calculating fees for the use of radio frequencies and numbers, for the Ministry of Industry and Trade during 2025.

Justification:

We are submitting this key comment relating to the removal of the intention and abandonment of the measure aimed at adjusting the amount of fees for the following reasons:

The CTO states that, as an integral part of the proposed measures, the Strategy also includes the CTO’s intention to prepare a proposal to adjust the amount of fees for the use of radio spectrum (and the principles for their determination). The aim of such an adjustment is, in particular, to promote the efficient use of radio spectrum by removing barriers to its use, deploying new technological solutions, and supporting the development and provision of modern and related electronic communications services.

We understand the announced activity of the CTO to mean that the adjustment of the fee amount refers to an increase in fees. The document is unclear in this respect; therefore, we primarily request clarification as to the direction the CTO intends to take when it states that it will prepare a proposal to adjust the amount of fees for the use of radio spectrum, including the principles for their determination. Given that the CTO is proposing this adjustment, we assume that the Office already has at least a preliminary concept of how it should be structured. Otherwise, it would not announce such a significant measure with potentially substantial market implications. Our comment is made on the assumption that the proposed adjustment refers to an increase in fees, rather than a reduction.

The CTO plans to initiate further discussions on the fee policy for the use of radio frequencies to promote efficient use of frequencies and create opportunities for the further development of existing and new services, including supporting their maximum possible availability and encouraging innovative approaches to the use of radio frequencies, while taking into account best practices in fee policy.

Considering that it should also be taken into account that “the collection of fees for the use of radio frequencies is gradually increasing and the primary goal of adjusting the fee policy is not to maximise revenue from fee collection”, as stated by the CTO in the document, we consider the proposal to change the fee amounts and the principles for their determination to be an unjustified and unnecessary step in terms of market needs from the perspective of television broadcasting operators.

From a market perspective, we believe there is no need to commission any study or similar document, nor to conduct a professional debate to consider the economic impacts of the fee policy on spectrum users. Given that an increase in fees would undoubtedly impose a heavy burden on the affected entities, we consider the investment of public funds in such investigations a waste of taxpayers’ money. Considering the economic situation in the Czech Republic as well as in the entire European Union, we consider it essential that entrepreneurs using the radio spectrum are not subjected to additional economic burdens—that is, that the current fee policy be maintained without any changes. Therefore, we do not consider updating Government Regulation No. 154/2005 Coll., on the determination of the amount and method of calculating fees for the use of radio frequencies and numbers, to be a strategic priority or necessary, and request that this activity be removed from the CTO’s strategy without replacement, as the current fee levels are appropriately set for the Czech business environment, including with regard to the upcoming period covered by the strategy.

Competitiveness Compass

Position of the Association of Commercial Television on A Competitiveness Compass for the EU

FEBRUARY 2025

Following the publication of A Competitiveness Compass for the EU, prepared by the European Commission, we would like to express our concerns regarding the Union’s economic direction—specifically its approach to competitiveness policy in the upcoming five-year period. The Competitiveness Compass is based on the analysis presented in the Draghi report, which outlines the reasons why the European Union is lagging behind the United States and Asian countries. It identifies several key factors that are slowing down competitiveness. However, the question remains whether the proposed solutions truly reflect the realities of the current European market and whether they provide adequate tools for real improvement, i.e. whether the proposed measures can genuinely revitalise the business environment.

Administrative burden and disproportionate regulation

The growing administrative burden and increasingly complex regulations pose a serious issue for our industry. While it is understandable that regulation must respond to modern challenges such as digitalisation and data protection, it is equally important to maintain a balance between regulation and the real needs of businesses.

Especially the increasing number of new reporting requirements and the implementation of extensive compliance systems—such as those related to ESG obligations—are becoming unsustainable and are draining more and more resources from businesses. These obligations should be applied in a targeted rather than blanket manner, focusing only on areas where they can bring real benefits. It is important to recognise that businesses (throughout the entire digital ecosystem) are required to implement additional compliance systems beyond standard compliance in the narrower sense—for example, to ensure compatibility with the aforementioned ESG obligations, requirements arising from GDPR, NIS2, the Political Advertising Regulation, the Due Diligence Directive, and other regulations. This creates enormous pressure and costs for business entities, compounded by the threat of draconian penalties.

Moreover, these regulations do not sufficiently differentiate obligations based on the size of the entities involved (see below). At the same time, various obligations are applied in situations where they are not appropriate at all. The only real beneficiaries of such regulations are consulting firms that exploit businesses’ fears of high fines. To give an example from our sector, in the case of ESG and carbon footprint monitoring, there is a requirement to include all suppliers in the reporting chain regardless of their relevance or actual contribution, which does not lead to effective or meaningful outcomes. A specific example of absurd regulation is the obligation to report the carbon footprint of television advertisements, which lacks practical sense in the context of the media sector. Calculating such a carbon footprint places a considerable burden on the broadcasters concerned, even though the actual impact of television broadcasting on the overall carbon footprint is minimal, and the contribution of advertisements within that broadcasting is even smaller. For many broadcasters, the intention to contribute positively to the environment has turned into a concern that their carbon footprint calculation for advertising (which is inherently very imprecise due to the nature of individual broadcast spots) might show a higher footprint than their competitors (e.g., due to differing methodologies). This would seriously disadvantage them in the market and lead to the loss of advertising clients, without providing any real benefit to the environment.

Another example of poorly considered regulation can be found in certain obligations under the Digital Services Act (DSA). For instance, even smaller companies operating online platforms are required to report content moderation cases to a database maintained by the European Commission. However, this database already contains approximately 10 billion records per half-year due to VLOPs (Very Large Online Platforms), so adding a few hundred reports from a smaller platform has no practical significance. Additionally, the provisions on out-of-court dispute resolution in the DSA have an entirely inappropriate and illogical structure that has the potential to significantly worsen the business conditions for smaller companies in this sector. Other obligations, such as excessive justification or content removal within the notice-and-action system, are also very burdensome in practice. In particular, for VLOPs, the scope of obligations—whether statutory under the DSA or based on soft law developed from it—regarding the removal of content that is not directly illegal should be carefully reconsidered.

Last but not least, it is necessary to mention a problem we are encountering more and more frequently: the tightening of the interpretation of legal regulations due to changes in the interpretation by regulatory or supervisory authorities or the Court of Justice of the EU. A typical example is the interpretation of the GDPR, which is constantly being made stricter. This includes, for example, the interpretation of the concept of necessity, the assessment of targeted advertising, and so on. From a business perspective, it seems that regulatory authorities and courts are sometimes completely detached from reality and unable to accept that businesses also need some space to operate innovatively. In such a situation, achieving the goals of the Digital Europe strategy will become nothing but a chimaera. While EU bodies often praise themselves for how some EU legal regulations have become models for other countries (GDPR, DSA, etc.), they overlook the fact that other states are trying to learn from our mistakes and design their own regulations so as not to hinder business and societal development, but rather to find a balanced relationship between protecting citizens’ rights and the economy.

The issue of supporting small and medium-sized enterprises

Related to the above is another problematic issue—the differentiation of obligations imposed on individual businesses based on their size. For example, our association represents the most significant commercial broadcasters in the Czech Republic, who are considered large enterprises at the national level. However, on the EU scale, our size is insignificant given the EU market and our influence on it. The Czech Republic is a smaller EU member state that cannot be compared in size to many other member states. In the context of the global market and compared to giants like Google and Meta, the significance of our members is negligible.

Therefore, in the context of the EU media market, we consider it crucial to point out the unfair approach to supporting different types of businesses. While small and medium-sized enterprises are continuously supported both at the EU level and through national programmes funded by European funds, there is a lack of sufficient support for larger national providers, especially in smaller member states such as the Czech Republic.

This difference in approach is not in line with the principles of fair competition and balance and should be reconsidered. Large providers, who are positioned between small national entities and global players, should be ensured fair support and equal conditions within the EU market, rather than being disadvantaged solely because they have reached a certain size.

The necessity of preserving national diversity in the media sector

The European Commission repeatedly speaks about the benefits of the single market; however, it is essential to preserve national diversity in the media sector. The single market may not always be a universal cure-all for every sector, particularly when it comes to the media and the cultural and creative industries in general. This industry is strongly tied to national specifics and values, and these must be preserved. The media sector in individual member states is diverse, and taking these differences into account is crucial to ensuring a high-quality and balanced media environment across the entire EU.

Protection of competition and its consequences

In this context, it is also necessary to mention the issue of competition protection, which in some cases could actually be perceived as a factor working against competitiveness. Recent legislation, such as the European Media Freedom Act (EMFA) and other regulations that include provisions on competition protection, may have disproportionate impacts on the competitiveness of traditional providers — broadcasters. More broadly, various protective regulations in the media sector, which increasingly regulate an already sufficiently regulated sector of traditional players, are undesirable because they can block the emergence of effective competition against non-European multinational players, such as global platforms.

Assessment of the effectiveness of new legislation

The European Commission states that new legislation, such as the DSA, DMA (Digital Markets Act), EMFA, or AI Act, has contributed to the effective functioning of the market. However, this claim is based solely on theoretical assumptions and does not take into account the actual practice and results of these regulations, which have only been in effect for a short time or are still in the implementation phase. In other words, the period during which these laws have been in force is too short to objectively evaluate their benefits for the market, and, therefore, it is premature to label them as successful. This is further compounded by the issue mentioned above regarding the tightening interpretation of these regulations through the opinions of regulatory authorities and court rulings.

Therefore, we consider the current trend very unfortunate, particularly the tendency of the European Commission to begin expanding, supplementing, or introducing additional regulation for the sector almost immediately after a new regulation has been adopted or implemented. This occurs at a time when the impacts and effects of the original legislation have not been (and cannot be) objectively assessed, and it is not possible to determine whether new legislation is necessary at all. Due to their structure, the public consultations prepared by the European Commission allow relevant officials to draw virtually any conclusions from them.

We must emphasise that in the digital economy environment, we have been in a state of permanent implementation of new regulations over the past seven years (essentially since the adoption of the GDPR), which is very exhausting.

Setting fines and protection of business entities

Regarding the setting of fines within European regulation, we consider it essential that their level is either reduced (or at least more differentiated) or that this authority is returned to the national level. The European Commission should strive to lower fines, which are often financially devastating to businesses, and Member States should have the option to decide on the amounts of fines based on local conditions and specifics. This approach would allow for consideration of the actual capacities of businesses and help prevent situations where doing business in the EU is jeopardised by excessive penalties that undermine rather than promote competitiveness.

For reputable businesses, the size of fines serves not only as an incentive to comply with regulations but, unfortunately, often as a deterrent from entering the market altogether. The compliance risk associated with such drastic penalties (often calculated as a percentage of the entire group’s turnover) is simply too high.

Moreover, the interpretation of how fines are determined is again problematic. A clear example of a completely flawed approach is the EDPB Guidelines 04/2022 on the calculation of administrative fines under the GDPR, which practically calculate fines mechanically based on the turnover of the affected company, without allowing, for instance, at the very first stage to limit the base for calculating fines according to how much of the company’s turnover is generated from the activity within which the GDPR violation occurred.

Ensuring a balance between public and private regulation

We cannot agree with the further transfer of state supervisory activities to private entities, which become responsible for enforcing regulations and imposing sanctions, moreover, with the obligation to report their own violations of legal provisions to supervisory authorities (as is, for example, assumed by GDPR or NIS2).

At the same time, it often happens that due to the state’s inability to enforce its own rules against those who violate them, the responsibility for ensuring compliance with legal regulations is rather shifted to other links in the supply chain, regardless of whether they can realistically detect violations by their contractual partner.

This trend is unsustainable, as exemplified by the Act on Advertising Regulation, where in some cases the responsibility for the content of the advertisement is shifted onto the distributor or entities throughout the entire supply chain, leading to excessive burdens and legal uncertainty. Especially in the digital sphere, where the distributor often does not even know in advance what the content of the advertisement placed by the advertiser in their digital inventory will be, and effectively remains unaware of it, this regulation lacks any real sense.

Taxation of platforms

To ensure a level playing field in the audiovisual industry, it is essential to address the issue of platform taxation directly at the European level, which is key to equalising all actors. The current situation, where national (local) providers face different taxation compared to non-European entities, creates unbalanced conditions. For example, AVOD platforms are subject to taxation, while some untaxed platforms from third countries enjoy a significant competitive advantage by not being taxed in this way. This disparity in taxation when providing identical services leads to inequality between European and non-European providers, negatively impacting the competitiveness of the entire European market. We hereby appeal to the European Commission to prepare a unified taxation framework for all players to ensure fair business conditions and competition in the audiovisual sector.

Proposed amendments to the AVMS Directive  

The most important regulation for broadcasters and on-demand audiovisual media service providers is the AVMS Directive. We believe that the following changes should be made to it:

  • Audiovisual commercial communications promoting legal products (alcohol, HFSS foods, potentially gambling) can be an important source of revenue for providers of audiovisual media services. We believe that to maintain the competitiveness of television broadcasting and on-demand AVMS compared to other media types, the AVMS Directive should be amended so that the aim of the codes is not to completely prohibit the exposure of minors to such commercial communications (Article 9 (3) and (4) of the AVMS Directive). We consider it sufficient if self-regulation and co-regulation focus primarily on the content of such commercial communications, especially in the context of the target audience of such advertising.
  • Given the ambiguity of the term “foods and beverages containing nutrients and substances with a nutritional or physiological effect, in particular fat, trans-fatty acids, salt or sodium, and sugars, of which excessive intakes in the overall diet are not recommended,” and the potentially massive impact that restricting commercial communications promoting such products could have on the media market and the competitiveness of television broadcasting and on-demand AVMS, we propose to completely remove the regulation of commercial communications related to these products from the AVMS Directive (Article 9 (4) of the AVMS Directive).
  • With regard to the provision of programmes, we propose that Article 7 of the AVMS Directive be explicitly supplemented to allow Member States to support the provision of programmes by any means, including technical measures, both financially and by other means.
  • We suggest considering whether the obligations under Articles 13 and 16–18 of the AVMS Directive, concerning the support of European and independent production, should be tiered based on audience size and turnover, so that they apply in their full scope only to large providers of audiovisual media services.

Conclusion

To ensure the EUs competitiveness in the upcoming period, it is essential to maintain flexibility and balance between the single market and national specifics, as well as between the rights of service users and their providers. In addition, the media sector should remain protected from overly rigid and inappropriate regulations.

Legislation that is meant to truly support market competition should take into account the realities and needs of different markets, and be continuously monitored and, after careful consideration, adapted to current challenges.

We believe that the main message we identified in the Compass—namely, the thesis that “we cannot continue as we have until now”—will be fulfilled through specific steps that will contribute to a more business-friendly environment, from which the entire EU society, including future generations, will benefit. 

STREAMING SERVICES ARE CHANGING: VOYO IS OUT, ONEPLAY IS IN. AMAZON AND MAX ADJUST PRICES

The merger of Voyo and O2 TV is a big change on the Czech market, which will also affect the price. After last year’s price increase for Netflix, Max, SkyShowtime and Disney+, this year the payment terms are also changing for Amazon Prime Video. Max, on the other hand, is adjusting its tariff for long-term customers. It is therefore increasingly important for users to actively manage their subscriptions, which can save them thousands of crowns a year. The Diary’s overview can help with platform selection.

Oneplay

The largest Czech streaming platform Voyo is closing together with another giant, O2 TV. However, a joint project called Oneplay will be created. The new product will be available in the Czech Republic from March 10 and will offer four subscription options. The basic one called Komfort costs CZK 199 per month and will offer over two thousand movies and 55 TV channels. Viewing is limited to one device.

The film library is also available in other subscription options. The Extra Entertainment package starts at CZK 399 and includes 100 TV channels, several of which are aimed primarily at family viewing. Sports enthusiasts can get Extra Sport for 599 crowns, which has 90 channels, but mainly specialised in sports. For the highest variant, Maximum, users will pay 799 crowns and will have 140 TV channels available and the option to watch on up to three devices.

Czech dubbing for many movies and series and TV broadcasts is still expected to be the biggest advantage. It is also possible to watch TV recordings.

Almost one million Voyo customers will have their subscriptions automatically transferred to the new Oneplay service, specifically the Komfort package. O2 TV users will get offers for the change. For all of them, their set logins and passwords will remain. One Oneplay account can then be shared on up to three devices.

Price: 199 – 799 CZK per month

Number of available titles: over 2000

Current picks: Studna, Bachelor, broadcasts of prestigious Czech and world sports competitions

Prime Video

Amazon has also gotten more expensive, yet it is still the cheapest service among the big productions. The monthly subscription fee has increased from the current 79 to 149 crowns as of 4 February. The reason for this is supposed to be investments in expanding the offer. The platform produces its own brands every year, it has also started broadcasting some live sports, allowing to watch matches of the prestigious American leagues NFL (American football), MLB (baseball) and NBA (basketball). However, the sport is not yet available in the Czech Republic.

Still, the subscription allows simultaneous viewing on up to three devices in Full HD or Ultra HD picture quality with surround sound and Dolby Atmos support. Twenty-five titles can also be downloaded, and up to six profiles can be created on the account. There is also the benefit of a seven-day trial, frequent Amazon digital store customers can get a thirty-day trial as part of promotions. However, Czech language support is still very limited.

Price: 149 CZK per month

Number of available titles: over 1000

Current picks: House of David, Bráchové, Banda (The Boys), Secret Level, Fallout

Netflix

Netflix is investing in sports, making it possible to watch documentary series and live broadcasts of industries particularly popular in the US, such as American football and combat sports. While the service has become more expensive in America, the price in the Czech Republic has so far remained the same since last autumn.

The basic subscription costs CZK 239 per month and allows HD quality viewing on one device. The Standard tariff is priced at CZK 309 and makes available Full HD quality videos that can be watched on two devices simultaneously, this also applies to downloads. This is the most cost-effective and sufficient option for a smaller family or undemanding users. The most expensive Premium costs 379 crowns, unlocks Ultra HD (4K) resolution, HDR and surround sound support as well as Dolby Atmos. You can watch content on up to four devices at the same time. You can download movies or series for offline mode on up to six. To share an account with people outside the household, an extra 99 crowns is required for each user who logs in with their own email address.

Each account can have up to five profiles. The content with Czech dubbing is also improving every year thanks to a larger selection of Czech films and series. More than half of the shows have at least subtitles. A bonus for subscribers is a mobile app with mobile games.

Price: 239 – 379 Kč per month, account sharing outside household 99 CZK per month

Number of available titles: over 8200

Current  picks: Hra na Oliheň 2, Kdysi dávno v Americe, Návrat do akce, Stranger Things

Max

The service includes a portfolio of brands from HBO, DC, Cartoon Network, Discovery+, TLC, Adult Swim, and CNN, which means a significant selection of movies, series, shows, and documentaries. Eurosport sports channels can be watched at an additional cost.

The service offers two tariffs. The standard for CZK 219 per month, or CZK 2,190 per year, makes it possible to watch Full HD videos on up to two devices simultaneously and thirty items can be downloaded. Premium is 80 crowns a month more expensive, or 800 crowns a year, and allows up to four devices to watch content in 4K UHD quality with Dolby Atmos sound at the same time, plus it allows up to one hundred items to be downloaded. Both options are ad-free. The sports package can be added for CZK 70 in both cases. With an annual subscription you save 33 percent.

More than half of the content is offered with Czech dubbing, most of it has at least subtitles. There are also a number of Czech works. It is possible to have up to five profiles on one account.

However, as of March 24, the plan is changing for users who subscribed to the previous HBO Max platform and thus received the transitional Legacy plan with a 33 percent lifetime discount, allowing you to watch videos on three devices even in 4K quality. This will change to the Standard package, which means a drop in the number of active devices and playback quality. The price and lifetime discount will remain unless there are further tariff increases.

Price: 219 – 299 CZK per month, or 2 190 – 2 990 CZK per year, Sport for an additional 70 CZK per month

Number of available titles: over 2000

Current picks: Tučňák, Duna, Proroctví, Bílý lotus, Urgent, The Last of Us 2

Disney+

The platform saw some significant changes last year, so only content changes are planned for this year so far. The portfolio of Disney, Marvel, Star Wars, Pixar, and National Geographic brands continues to grow with new movies, series, and shows that users can watch by choosing one of two plans. Still the most convenient platform for kids, about half of the titles have Czech dubbing or most have subtitles.

The cheaper Standard offers videos in Full HD for up to two devices running simultaneously and with 5.1 sound quality. The price is CZK 199 per month, or CZK 1,990 per year. For more demanding users, the Premium version is priced at 299 crowns per month, or 2,990 crowns per year. Viewing is then possible on up to four devices in Ultra HD resolution with HDR and Dolby Atmos support. Both options are ad-free and allow downloading to up to ten devices.

To add people outside the household, an additional fee of 119 crowns is required for each user who creates their own profile and has streaming available on only one device.

Price: 199 – 299 CZK per month, 1990 – 2990 CZK per year, account sharing 119 CZK per month

Number of available titles: over 2000

Current picks: Whiskey s ledem, Deadpool & Wolverine, Husí kůže: Zmizení, Star Wars: The Flying Squad

SkyShowtime

After last year’s changes, nothing has changed for SkyShowtime yet. People can choose the cheapest option, Standard with ads for 159 crowns a month, or 1,259 crowns a year, which allows you to watch Full HD videos on one device. The higher ad-free Standard version is priced at 219 crowns a month, or 1,759 crowns a year, and also provides watching Full HD videos on up to two devices, as well as being able to download thirty files. The premium package, which allows viewing content in Ultra HD resolution simultaneously on up to five devices and allows downloading one hundred titles, costs CZK 299 per month, or CZK 2,399 per year.

The advantage of the platform is that most titles have Czech dubbing and subtitles. However, there are not many Czech programmes. It is also a fact that the available films and series, with a few exceptions, could be seen on TV. However, unique productions, especially series, have increased significantly in the last year.

Price: 159 – 299 CZK per month, 1 259 – 2 399 CZK per year

Number of available titles: over 800

Current picks: Dexter: Original Sin, Sweetpea, Landman, Dostoyevsky

Apple TV+

On a less prominent platform, it is possible to watch mainly exclusive series and films, moreover, in the highest possible quality, i.e. 4K with HDR, surround sound and Dolby Atmos support. The price remains 199 crowns per month. However, the content is usually without Czech dubbing and only subtitles are available.

The account can be shared with up to five people in the so-called family sharing, which can be joined by anyone with an Apple ID. Downloads for offline viewing are unlimited. You can try the platform for seven days for free.

Apple device owners can also get a TV+ subscription as part of Apple One, which includes all four of the brand’s subscription types (Music, iCloud+, Arcade). The monthly price is CZK 300. They have a free month to try it out on one device. Alternatively, three months after the purchase of an Apple product.

Price: 199 CZK per month

Number of titles available: 260

Current picks: Odloučení, Mythic Quest, Cíl číslo jedna, Terapie pravdou

Canal+

A lesser-known platform especially for fans of the English Premier League football and WTA tennis tournaments. The service also has its own video library of films and series.

A subscription for 239 crowns a month, or 2,390 crowns a year, allows you to play videos in HD to Full HD quality. The more expensive Komplet variant costs 289 crowns per month, or 2,890 crowns per year. In addition, it includes the Apple TV+ video library.

Price: 239 – 289 CZK per month, 2390 – 2890 CZK per year

Number of available titles: 800

Current Trailers: Premier League, WTA, Apple TV+ included

Prima+

The Czech platform will be especially appreciated by people looking for Czech films and series, or exclusive Prima TV productions. The platform also offers live and archive broadcasts of Prima TV.

The service is free with video and banner ads, the videos are in very outdated SD quality and users do not have access to unique Prima Originals shows or previews. This will only be made available by the Light package for 99 crowns per month, which will also halve the abundance of video ads, make banner ads disappear completely, and allow HD quality videos. To watch content in Full HD and completely ad-free, it is necessary to pay 149 crowns per month for the Premium plan.

Five profiles are possible in all variants, but simultaneous viewing is only available on two devices.

Price: 0 – 149 CZK per month

Number of available titles: 2000

Current picks: ZOO Nové začátky, Kamarádi, Zrádci

iBroadcast

The streaming platform under Czech Television is paid for by licence fees, so it’s seemingly free. Almost all content is with Czech dubbing, it is also possible to watch TV broadcasts and exclusive productions of the Czech Television. The content is mostly in HD, some titles are also in Full HD. There is no need to create an account and viewing is possible on an unlimited number of devices.

Price: free (TV licence fee 150 CZK)

Number of available titles: over 1000

Current picks: Děcko, Limity, Kroky vraha

Minor Services

KVIFF.TV is for fans of the Karlovy Vary Film Festival and independent film production, unlocked upon payment of a monthly fee of CZK 179, or an annual payment of CZK 1,890.

Czech Cinema lets you watch Czech films for 99 crowns a month. There are 14 days of free trials. However, the platform does not have an app available on TV.

Dafilms offers mainly documentaries and independent films, but also classics and can be watched for 145 crowns per month.

EDISONLINE collects mainly award-winning titles from the most important European film festivals, such as Cannes, Berlin or Venice, and costs 155 crowns per month.

Dramox is for theatre fans, who can watch online recordings of performances for 299 crowns a month.

Source: denik.cz

VOYO AND O2TV WILL END. ONEPLAY WILL COME INSTEAD

O2TV and Voyo, both from PPF Group, are merging their services into one called Oneplay.

TV service O2TV and VOD service Voyo will end in the market. They will be replaced by a new joint service Oneplay. The news was announced by the CEOs of TV Nova Daniel Grunt and O2 Jindřich Fremuth. Both companies belong to the PPF group. This will happen from 10 March 2025.

“We are creating a new category in the media market. We want to create one place and one app to provide one content to all households. Everything a household needs to find in one place,” explained Daniel Grunt.

There will be a total of four packages on offer. Basic Comfort with 55 channels for CZK 199, Extra Entertainment with 100 channels for CZK 399, sports Extra Sport with 99 channels for CZK 599 and Maximum with more than 140 channels for CZK 799.

Source: mediaguru.cz

Oneplay thus consolidates everything from Voya and O2TV in one place. There will also be Oneplay originals instead of Voyo originals, sports broadcasts, TV previews and more. In total, more than 140 TV channels will be on offer. The video library includes more than 20,000 hours of movies, series and shows including National Geographic, Film Box Plus and BBC Earth.

Upcoming originals to appear on Oneplay this year include the second series of the miniseries Král Šumavy (from 14. March), as well as titles Medvěd, Štěstíčku naproti, feature series Bora, the sequel Metoda Markovič: Straka, and documentary series Slovan Liberec.

Changes will also affect the sports offer. O2 TV Sport and O2 TV Football will be changed to four channels: Oneplay Sport 1 (domestic football Chance League), Oneplay Sport 2: domestic hockey extraliga, Oneplay Sport 3 – a taster of sports content, which will also offer some broadcasts for users of the basic package and Oneplay Sport 4. It will be a premium channel, containing everything from the Oneplay Sport 1 and 2 offer, including the possibility to watch broadcasts in multidimension.

Existing Voyo subscribers will have their user profile automatically converted to Oneplay, with the migration taking place gradually from 10 March. They will log in to the new service with the same details as the previous one.

Customers who have access to O2 TV will be migrated gradually. But from 10 March, they will all gain access to the new Oneplay service and will be able to decide for themselves where they want to watch content until the migration date itself. O2 TV customers will also log in to Oneplay with their original login details.

Oneplay packages

  • Comfort (£199 per month, cheaper with O2) – A programme offer with selected premium channels (55 programmes), a library of over 2000 films and TV shows and TV channels with up to 7 days of backwards viewing and exclusive access to original Voyo Originals and new Oneplay Originals.
  • Extra Entertainment (£399 per month, with O2 mobile tariff for £349) – Includes extra extended programming to include channels from different genres and selected sports stations (100 programmes). Also includes a library of National Geographic programmes.
  • Extra Sport (£599 per month, with O2 mobile tariff for £499) – Programming offer (90 programmes), expanded to include all available sports channels and competitions from Oneplay. Ideal for sports enthusiasts, with 80% of content focused on live sports including, Tipsport Extraliga and Chance League, which are only available on Oneplay, as well as UEFA ATP Tour Champions League, F1 and other leagues and competitions.
  • Maximum (£799 per month, with O2 mobile tariff for £699) – Combines all available content from all other packages including full access to sports and entertainment (over 140 channels) with the ability to watch on up to three devices simultaneously.

Oneplay features

  • Most Watched TV Stations: Ability to rewind and watch shows up to 7 days after airing.
  • Nova TV Coverage.
  • Ad-free: Content from TV Nova, Voyo Originals, Oneplay Originals and archive.
  • Flexibility of viewing: The ability to watch content offline and on multiple devices simultaneously.
  • Exclusive content: Sequels to original series such as King of Sumava and new titles exclusively created for Oneplay. All Voyo Originals remain in the library as well.
  • Sports World at Your Fingertips: Live coverage of the best sports leagues, including UEFA Champions League, Tipsport Extraliga, Chance League, F1, MotoGP, MMA and more.
  • Multidimension.
  • AI sport recap: Short match recaps generated by artificial intelligence after the match is over.
  • Team information: Rosters, standings, and later detailed stats.
  • Unique views: Special technologies like drones and the Oneplay Helmet Cam deliver a unique experience.
  • Unrestricted availability: Oneplay is not tied to any ISP and can be purchased by anyone (in the Czech Republic) without restrictions.

Source: mediaguru.cz

LALIGA BLOCKS ILLEGAL RELAYS

LALIGA has successfully blocked illegal broadcasts from two platforms that were relaying coverage of top-flight Spanish football.

According to LALIGA, DazcFutbolios and RBTV77 were using technology provided by Cloudflare to conceal their identity. It says the domains were used as a digital shield to evade security controls. Together, the two platforms had more than 400,000 unique monthly users in Spain.

Multiple websites and their relays were disrupted.

A specialist team carried out the operation during Saturday’s football programme.

“The defence of intellectual property rights remains one of LALIGA’s priorities as it works together with the different telecommunications providers to identify and shut down illegal streaming platforms, thus safeguarding the integrity, financial sustainability, and primary revenue sources of football clubs and the sports industry as a whole,”

the company said in a statement.

It continued: “Once again, LALIGA publicly condemns Cloudflare’s role in enabling piracy by knowingly protecting criminal organisations for profit.”

LA LIGA claims more than 50% of pirate IPs illegally distributing LALIGA content are protected by Cloudflare. “Despite multiple formal requests from LALIGA for Cloudflare to cease its collaboration with pirate sites, the company has refused to cooperate, instead continuing to profit from the criminal activity it helps to conceal.”

Broadband TV News has contacted Cloudfare for a response.

Source: broadbandtvnews.com

IPTV AND CABLE HAVE OVERTAKEN TERRESTRIALS IN TV SIGNAL RECEPTION

Receiving a TV signal via the internet or cable has become the strongest way to receive a signal in the Czech Republic. It has also overtaken the previously leading terrestrial reception by several percentage points. The data is presented by the ATO’s Continuous Research.

Currently, the most used main type of TV signal reception in the Czech Republic is via IPTV or cable. With a share of 46%, it overtakes terrestrial reception (DTT), which is the second most used with 41%. IPTV has shown growth in recent years not only at the expense of terrestrial, but also satellite reception (13%). This is based on data from the Continuous Survey, which surveys 12,000 Czech households per year. The research is carried out by the Nielsen agency, which delivers it to the Association of Television Organisations (ATO).

IPTV reception brings viewers a spectrum of available TV stations, but also interactive services, including the so-called back-viewing. These services in particular are behind the growth in so-called delayed viewing, which (within three days of broadcast) accounted for 11.1% of total viewing in 2024, according to official measurement (PCEM) data. An increasing number of TV households also declare that at least one of their TV sets is connected to the internet: in 2024 this was 57% of households. Compared to 2023, this represents an increase of around 6 percentage points.

4% watch TV shows on a PC, tablet or mobile

92% of Czech households watch TV programmes. At least one working TV set with TV signal reception is owned by 87.4% of Czech households. Another 4.2% of households do not have a TV set with a TV signal, but watch TV programmes on a computer, tablet or mobile (so-called second screens). In any case, TV remains the most common media device in Czech households despite the growing penetration of other digital devices such as laptops (65%), tablets (32%) and smartphones (82%).

Source: ATO-Nielsen, Continuous Research 2024. Base: All households

Drama shows attract the most

The results of the 2024 TV viewership analysis also show that dramatic shows (series and movies) are the most sought after by viewers with a 51.4% share. Not only do they account for the largest share of airtime and thus remain the dominant part of the Czech television offer in the long term, but they also regularly top the ratings charts. They are followed by entertainment, news, sports and documentaries.

Source: ATO-Nielsen

“While the ways in which people consume video content are expanding with the advancement of modern technology, the TV set still dominates as the primary device for watching television. The technical parameters of TV sets in Czech households (size, picture resolution, connectivity) are constantly improving, and Continuous Research data shows that a growing percentage of Czech households are willing to pay for premium TV and video content viewing options,” said Michal Jordan, CEO of ATO.

Source: mediaguru.cz

CZECH TELEVISION STAYED ABOVE 30 PERCENT IN JANUARY, SHARE INCREASED BY NOVA

Czech Television’s stations reached their highest share in the audience group over 15 years of age in January. The Nova group improved its share the most compared to the same month last year.

Despite a year-on-year decrease, Czech Television maintained a share of more than 30% in the universal audience group over 15 years old in the first month of this year. Cumulatively, they achieved a share of 30.09% in all-day broadcasting. This is according to official viewership data from ATO-Nielsen.

In the 15-54 and 18-69 audience groups, as well as in prime time across all key audience categories (15+,15-54 and 18-69), the Nova group showed the highest share. It was also the only one of the top three domestic TV groups to post a significant year-on-year increase in audience share in January, both in daytime and prime-time.

Television Seznam further increased its share, reaching 1.76% (full day) in its primary 18-69 group. Barrandov, although down year-on-year in the 15+ group, halted its decline and even slightly increased its share in the 15-54 and partly 18-69 target groups. This applies to all-day and prime time.

TV group share (%), all day, January 2025

Source: mediaguru.cz

Share of TV groups (%), prime-time, January 2025

Source: mediaguru.cz

Nova TV channel, CNN Prima News over 2%

Among individual stations, the main channel TV Nova and the thematic station Nova Gold improved the most in January year-on-year. They gained almost one percentage point in the 15+ audience group in all-day broadcasting.

The news channel CT24 also had a higher share this January compared to last January, as well as Prima Krimi and CNN Prima News, which rose above the 2% level in January (2.19%, 15+). The channels Nova Lady and Nova Action (all shown for 15+, full day) also improved slightly.

The most-watched programme in January was the premiere of the crime drama Killer Steps, based on a novel by Michaela Klevis. The opening episode of Limity on ČT1 (1.4 million) and Televizní noviny on TV Nova (most watched 1.29 million) were also among the top January shows.

Source: mediaguru.cz

FRAUDSTERS FAKE BEING LAWYERS TO ACCUSE OF COPYRIGHT INFRINGEMENT, WARNS THE CZECH BAR ASSOCIATION

Today, the Czech Bar Association (CBA) has issued another warning against people who pose as lawyers or act on behalf of law firms. The new trend is for scammers to accuse email recipients of intellectual property or copyright infringement. They pretend to be Czech Television, Warner Music Group or Sony Music Entertainment lawyers.

While the CBA recorded six reports from attorneys regarding the misuse of their identities two years ago, last year there were 37 such reports and seven more were filed in the past week alone. Currently, CBA warns, for example, against the misuse of data of law firms such as PRK Partners, KVB or Kocián Šolc Balaštík. “The sender, acting on behalf of KŠB or one of its attorneys, pretends to be a legal representative of a prominent film studio or entertainment company, warning the recipient of an alleged copyright infringement on their Facebook page,” described Radka Felgrová, an attorney from the latter law firm.

According to the CBA, the scammers are trying to “defraud people or scare them”. The CBA has recommended that recipients delete such emails immediately and not open attachments, as attorneys do not communicate in this way. The sender’s e-mail address, particularly the part following the at sign, can be a warning signal – law firms have their own addresses and do not send emails via seznam.cz or gmail.com.

In case of any doubts, the public can check the name of the lawyer or law firm via the search engine on the CBA website, find the relevant contact there, contact the lawyer personally and make sure that the e-mail was not fraudulent. The CBA also publishes notifications from lawyers whose data has been misused by fraudsters in the website’s News section.

Source: ceska-justice.cz

JAIL FOR MIDLANDS ILLEGAL STREAMING OPERATOR

A man from Birmingham who ran a sophisticated illegal streaming operation has been jailed for two years and nine months for running an illegal streaming service.

Gary McNally, 55, from Birmingham ran the IPTV service known as Each Online.

The service provided access to illegal streams, which included Sky Entertainment, Sky Sports and Sky Movie channels, as well as premium television content owned by other national and international broadcasters.

McNally first came to the attention of Sky in June 2020, after an investigation revealed that McNally was using legitimate NOW TV accounts to gain illegal access to Sky content.

Sky referred the matter to West Midlands Police who, in September 2021, executed warrants at two residential properties in the Birmingham area which led to McNally being located and arrested for fraud and intellectual property offences.

A search of McNally’s property resulted in the seizure of a large amount of digital equipment including laptops, hard drives and NOW TV devices believed to have been used by McNally to operate pirate IPTV services.

During a single world championship boxing match broadcast by Sky in February 2018, McNally claimed to have, over 2,000 subscribers to his illegal service.

Last March, McNally appeared at Birmingham Crown Court where he pleaded guilty to two charges of making articles for use in frauds relating to the provision and creation of IPTV services contrary to Section 7(1)(b) of the Fraud Act 2006.

He was sentenced at Birmingham Crown Court to two years and nine months for both counts to be served concurrently.

Matt Hibbert, Group Director of Anti-Piracy at Sky said: “Today’s sentencing highlights the significant consequences that can arise for those that get involved in illegally streaming content.

“We are grateful to the West Midlands Police for acting so robustly to take down a highly sophisticated illegal streaming operation.

“We will continue to work with law enforcement to protect our content and help keep consumers safe from criminal piracy networks.”

Two other individuals were arrested alongside McNally. One person has since been released with no further action. A second person has been released pending further investigation.

Source: broadbandtvnews.com

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