8 YEAR PIRACY INVESTIGATION LEADS TO SUSPENDED SENTENCE

A man from Manchester has received a 22-month suspended sentence after an eight-year investigation into the advertising and sale of unauthorised TV decoders.

The investigation by Greater Manchester Police and anti-piracy coalition FACT began in October 2015 after intelligence suggested the sattvuk.co.uk website and an associated Facebook page were offering illegal IPTV services.

42 year-old Jordan Longbottom provided customers with equipment and technical resources to receive premium TV content normally received from Sky and Virgin. A cease-and-desist notice was initially issued in January 2016 and a second notice the following month. However Longbottom continued his activities.

In January 2017, police officers from the Economic Crime Unit at Greater Manchester Police executed a warrant and seized several items, including set-top Boxes and digital devices yjay later led to Longbottom’s arrest.

“This case has been investigated since 2017 and it goes to show that our officers and staff will not stop until justice has been served and those responsible have been brought to justice. Our economic crime unit, alongside partner agencies such as FACT will actively pursue and robustly investigate anyone who thinks it is acceptable to break the law and commit crime in our communities,” said Keith Graham of GMP’s Economic Crime Unit and former GMP detective in the unit Paul Bayliss in a joint statement.

Added Kieron Sharp, CEO of FACT: “This ruling underscores our steadfast commitment to upholding the rule of law, protecting intellectual property rights, and preserving a fair and balanced marketplace for all stakeholders. It sends a clear message about the serious consequences of such illicit activities and serves as a deterrent for potential infringers.”

Longbottom pleaded guilty to charges of advertising and selling unauthorised decoders.

Source: broadbandtvnews.com

MAJOR ANTI-PIRACY VICTORY IN MENA

The Alliance for Creativity and Entertainment (ACE) has shutdown the illegal Cima4U streaming service.

Based in Giza, Egypt, Cima4U operated 498 domains that between them attracted over 30 million combined monthly visits from 11.6 million unique visitors. The illegal service offered a VOD library of more than 165,000 movie and TV series titles in Arabic and original versions, affecting all ACE members.

“The shutdown of Cima4U is a significant blow to the entire piracy landscape in the MENA region,” said Jan van Voorn, Executive Vice President and Chief of Global Content Protection for the Motion Picture Association (MPA) and Head of ACE. “With the assistance and expertise of the Egyptian police, we have been laser-focused on criminal operators in MENA for some time and successfully shut down numerous illegal operations there in the past year alone. The sheer scale of Cima4U made it particularly notable, and this takedown proves that even the most audacious infringers will face the law.”

Fiona Robertson, General Counsel at ACE member OSN, said, “OSN continues to be committed to fighting TV content piracy in the region through technical disruptions, on-ground support, and in-market enforcement actions.” She added, “We are happy to collaborate with ACE and other members in the industry to help create awareness within our user communities.”

The impact on OSN and MBC was significant, as traffic to Cima4U originated primarily from Morocco, Egypt, Yemen, Saudi Arabia and Iraq, major media markets for both companies.

“Combating piracy is vital for the entertainment industry as it safeguards creative content, fosters innovation, and ensures fair compensation for artists, creating a sustainable ecosystem,” said Natasha Matos-Hemingway, Chief Commercial and Marketing Officer VOD at MBC GROUP. “We are grateful for the continuous partnership with ACE in protecting our content.”

ACE’s board members are drawn from Amazon, Apple TV+, NBCUniversal, Netflix Studios LLC, Sony Pictures Entertainment, Paramount, Walt Disney Studios Motion Pictures and Warner Bros.

Source: broadbandtvnews.com

TV ADVERTISING GRP VOLUME UNCHANGED IN 2023

The volume of ad GRPs delivered in the TV market also remained at a similar level in 2023 as a year earlier, monitoring data shows.

Domestic TV stations delivered a comparable number of GRPs on the TV advertising market in 2023 as in 2022 (-0.73%). Media Club and Nova Group remain the strongest commercial networks in terms of GRPs delivered, while Atmedia and Česká televize posted the highest year-on-year increases of one percent last year. ATO-Nielsen data shows this.

Nova and Prima stations delivered the most GRPs last year, followed by Prima Krimi, Nova Cinema, Prima Max, Prima Cool and CT1. Televizia Seznam saw the biggest year-on-year increase in the volume of GRPs delivered.

Most TV stations also struggled to fill their advertising space last year, and not all GRPs could be placed on air due to legal limits. Thus, the number of GRPs delivered does not reflect the real demand for TV advertising last year.

Most TV stations were also struggling with the saturation of advertising space last year and all GRPs failed to be placed on air due to legal limits. Thus, the number of GRPs delivered does not reflect the real demand for TV advertising last year.

Share of business networks in GRPs delivered in 2023

Zdroj: ATO-Nielsen, 1.1.-31.12. 2023, TV spoty a sponzoring, spočítáno pro nákupní CS uvedených subjektů, tj. ČT 15+, Media Club, Atmedia 15-69 a Nova Group 15-54

Investment in TV advertising grew over the past year, according to Ad Intel’s raw monitoring data. Data for 2023 shows an average growth in monitored TV ad investment of just under ten per cent.

Source: mediaguru.cz

COMMERCIAL TVS GREW IN 2023, ČT STATIONS REMAINED THE STRONGEST

In the general viewer group over 15 years of age, Czech Television stations managed to maintain the highest share of the TV market last year. However, it was mainly commercial stations that showed growth.

In 2023, Czech Television stations achieved the highest share of the TV market in the general audience group over 15 years of age. Their share of the full-day audience was 29.88%, 1.59 percentage points lower than in 2022.

In this audience group, commercial competitors performed equally well. The Prima group recorded a share of 27.56% and the Nova group 27.04%. Both improved by more than 0.6 percentage points.

In prime time 15+ as well as in the 15-54 and 15-69 audience groups, the Nova group achieved the highest share as a year ago. The latter improved year-on-year in all audience categories, with the exception of prime time 15-54, where it stagnated.

For the Prima group, the most successful viewer group was the over-15 group, where it achieved a higher share than in 2022. In the other groups monitored, it remained behind its 2022 result.

Growth in the TV market was confirmed by Atmedia last year. The thematic stations it represents gained less than a percentage point to 5.90% in the 15-69 target group. Television List also continued its growth to 1.62% (also 15-69).

Conversely, the Barrandov Group stations posted a lower share, down by more than 0.5 percentage points.

Podíl TV skupin (%), rok 2023, celý den

Podíl TV skupin (%), rok 2023, prime-time

Source: ATO-Nielsen, 1.1.-31.12. 2023, TV živě+TS0-3 ke dni 2.1. 2024, změna uvedena v procentních bodech. Prime-time = 19:00-23:00

Prima Krimi’s Jumper of the Year

Of the individual stations, Prima Krimi improved the most year-on-year (+0.7 pp., valid for 15+, all day), which surpassed a 4% share. Other successful TV stations included Television Seznam (+0.48 pp), Nova Gold (+0.42 pp), CT1 (+0.25 pp) and CT2 (+0.24 pp), which achieved its best result since 2017.

CHristmas Eve Fairytale the most watched programme

The most watched programme of 2023 was the Christmas Eve fairy tale Klíč svatého Petra (CT1), which was watched by 2.7 million TV viewers.

Source: mediaguru.cz

PF 2024

🎄 Merry Christmas and all the best in the New Year wishes AKTV together with ScreenVoice.cz

SURVEY: COPYRIGHT HOLDERS SPEND MILLIONS TO PROTECT THEIR WORKS ON THE INTERNET, JUDICIAL PROTECTION AGAINST PIRACY IS NOT EFFECTIVE

In the autumn, the Chamber of Commerce conducted a survey among members of the Cultural and Creative Industry Section on the topic of copyright infringement on the internet. A total of 23 respondents from among film producers and distributors, TV broadcasters, book publishers, as well as professional associations of copyright holders took part in the survey. The clear conclusion of the survey is that all respondents have experience with illegal sharing of their works online and are trying to combat it, but the current options for copyright protection on the internet are ineffective and too costly and time-consuming.

The aim of the survey was to find out how widespread illegal sharing of copyrighted works is in the online environment, whether copyright holders are spending resources to protect them and which services they consider the most harmful in this respect. The survey involved rights holders of films, TV series, books or music, most often companies in the SME segment, which exercise copyrights to units, tens, thousands and even millions of works.

Almost 90% of respondents said they monitor and report illegal sharing of their works online for deletion, most often by an authorised employee (83%) or an external company (39%). The most frequently monitored platforms are file sharing platforms (repositories), followed by YouTube and Facebook. The most frequently involved repositories are uloz.to, prehraj.to, fastshare.cz, datoid.cz, edisk.cz, sdilej.cz, webshare.cz and sledujte.to.

“In the survey, copyright holders independently agreed on a list of websites where massive infringements of their copyrights occur most frequently. While the operators of these services try to play the role of cloud storage providers who are not responsible for the content they store, it is gradually becoming clear that this alibi will not be enough for them for much longer. That is why the operators of perhaps the most famous service of this type, ulož.to, have decided to discontinue the option of public file sharing. We firmly believe that other repositories will soon follow suit and that internet piracy in this form will hopefully be eradicated soon,”

says Marie Fianová, Chairwoman of the Cultural and Creative Industry Section of the Czech Chamber of Commerce.

A second aspect of online piracy is the financial cost of protecting works. Nearly 40% of respondents said they spend more than CZK 50,000 a month on monitoring and reporting works, and 22% even more than CZK 100,000. A third of the respondents also chose to take the costly legal route, with more than half a million crowns spent in the past three years by a quarter of respondents.

“Copyright holders are spending hundreds of thousands to millions of crowns a month to protect their works on repositories, while the operators of these services still refuse to take their share of responsibility and implement measures to prevent their services from being used for pirate sharing of copyrighted works. This certainly does not seem right to us,”

adds Marie Fianová.

However, respondents consider protecting their rights at court to be costly and lengthy, and therefore ineffective in the long run. The creation of an out-of-court mechanism that could, as a last resort, make massively infringing websites inaccessible is suggested as a suitable solution.

ITALY DEPLOYS “PIRACY SHIELD” TO PROTECT ONLINE SPORTS

Agcom’s plans to combat online piracy in Italy are taking shape.

The communications regulator has now commissioned its so called ‘Piracy Shield’, designed to take down sites that illegally broadcast live sporting events.

“The platform is therefore functional. It is now up to the operators providing access (ISPs) who must obscure these sites, on the advice of the rights holders, to carry out the necessary activities to make the platform operational. Those activities must be completed by 31 January 2024,” said an Agcom statement.

The Piracy Shield is basically a machine to machine system. Accredited rightsholders can “upload” the reports of violation, with evidence of how the breach has taken place. The platform then automatically directs them to the accredited ISPs who provide for the blocking of the IP address within 30 minutes.

The platform requirements defined by the Authority were discussed and shared as part of the work of the Anti-piracy Technical Committee convened by Agcom, in collaboration with the National Cybersecurity Agency, which took office last September 7.

The work of the committee, which was also attended by representatives of the Mimit, the Postal Police and the main Associations for the fight against piracy and the protection of copyright, was attended by the Special Units of Goods and Services of the Guardia di Finanza at Agcom which, within the framework of the current memorandum of understanding, will collaborate with the Authority to ensure the start-up and efficient operation of the platform through, among other things, constant assistance to users of the Piracy Shield.

Source: broadbandtvnews.com

TV VIEWERSHIP IN NOVEMBER: ČT NARROWLY RETURNED TO THE TOP IN NOVEMBER, NOVA IMPROVED THE MOST

Czech Television’s stations returned to the position of the TV group with the highest share of viewership in the audience group over 15 years of age by a narrow margin. This is according to the official ATO-Nielsen measurement data for November 2023. The aggregate share of CT stations reached 28.48% throughout the day. However, compared to the same month last year, CT’s share was 1.48 percentage points lower.

The position of the three strongest TV groups is balanced in full-day viewership of 15+. CT is followed by Prima (28.06%) and Nova (27.86%).

Year-on-year, the best performing group was Nova, which gained 0.75 percentage points and even one percentage point in the 15-54 group. At the same time, Nova remains strongest in the 15-54 and 15-69 audience groups, as well as in prime time in all critical categories.

Atmedia continued its growth in November, exceeding 6% share (6.26%) in the 15-69 group. Television Seznam also increased its share.

More on mediaguru.cz

Source: mediaguru.cz

ASSOCIATION OF COMMERCIAL TELEVISION HAS ACHIEVED SIGNIFICANT SUCCESS IN THE ANTI-PIRACY FIGHT

The High Court in Olomouc has upheld the preliminary ruling issued by the Regional Court in Brno on a petition by the Association of Commercial Television (AKTV), requiring the operators of the eDisk.cz and Sledujteto.cz repositories not to allow the uploading and downloading of copyright-protected works of Nova and Prima TV Groups. The court thus upheld AKTV’s argument that the repository operator had committed an unfair competition act referred to as “stowaway” or “free riding” (also known as “impermissible parasitism”). Similar decisions have been issued against other repositories in recent months.

As part of its activities, AKTV focuses intensively on combating the illegal distribution of television series and other protected works, especially in the environment of internet repositories. AKTV’s core legal argumentation for combating internet piracy has been repeatedly found correct by the courts. The most significant achievements so far are the preliminary rulings issued against the operators of the Fastshare platform or the eDisk.cz and Sledujteto.cz repositories.

Television broadcasters have long spent large amounts of money on the production of original Czech series and other audiovisual works subsequently published on television or in the online video libraries Voyo and prima+. At the same time, however, these exclusive series, films or programmes are illegally disseminated almost immediately after their official publication via online repositories where they are available for download or online playback. These repositories, such as eDisk.cz or Sledujteto.cz, not only provide their users with the space to upload and download these works but encourage such infringement by rewarding active users who upload popular titles that are then downloaded or watched online by other users.

“The decisions of the Regional Court in Ostrava and the Regional Court in Brno, both of which were upheld by the High Court in Olomouc, represent a significant breakthrough in our previous decision-making practice and a very important signal for all copyright holders. Every year we spend hundreds of millions of crowns on the production of original Czech works for our audiences, and virtually all works are illegally shared immediately after publication. This fundamentally damages our business model and reduces our return on investment. Absurdly, repository operators profit significantly from our attractive content, for example by selling download credits or even advertising alongside our copyrighted content,”

says Klára Brachtlová, President of the Association of Commercial Television.

AKTV initiated legal action against the operators of eDisk.cz and Sledujteto.cz this year. In the spring, AKTV filed a motion for a preliminary ruling with the Regional Court in Ostrava against the operator of Fastshare and in the autumn a similar motion against the operators of eDisk.cz and Sledujteto.cz with the Regional Court in Brno. Both courts issued preliminary rulings on the grounds that the platforms’ profits are generated through the continuous unauthorised distribution of titles whose creation is financed exclusively by Nova and Prima. The operators of the repositories in question were ordered to refrain from allowing the uploading, downloading or online viewing of exclusive audiovisual works of Nova and Prima TV Groups. The preliminary ruling was then confirmed by the High Court in Olomouc as the Court of Appeal.

“We are very pleased that the court has upheld our legal view that other competitors cannot be allowed to actively enable, support and develop a business based on deriving a financial benefit from the actions of their users that is based on massive infringement of others’ copyright. The court has found that this may cause harm to both television groups, in particular in the form of audience churn, dilution and loss of exclusivity of individual series, reduced interest in their video libraries, as well as reduced advertising revenue and reduced profits from subscriptions to on-demand services,”

adds the counsel of the Association of Commercial Television, doc. JUDr. Dana Ondrejová, Ph.D., Legato legal office.

“Our long-term goal is to protect our content and prevent any loss of its value as much as possible. We are ready to negotiate with the operators of Internet repositories and jointly set conditions and technical measures to prevent illegal sharing. If, however, instead of engaging in dialogue with us, these operators prefer to transfer their service to another domain or change to a foreign company based in the Seychelles, we consider this a clear signal that they are trying to avoid their legal obligations in every possible way and are indifferent to compliance with the law,”

adds Klára Brachtlová.

In addition to taking legal action against the operators of the most infringing repositories, the Association of Commercial Television has long focused on awareness-raising activities. As part of these initiatives, it operates an information website on copyright, which is available at aktv.cz/copyright. You can find there a glossary explaining the terms used in the field of intellectual property protection, answers to frequently asked questions (FAQs), and regular news on internet piracy. There is also an up-to-date series of articles on the new study Online Copyright Infringement in the European Union, published by the European Union Intellectual Property Office (EUIPO), available on the website.

LET’S KEEP OUR FINGERS CROSSED, IT’S A STRANGE TIME, SAYS PRIMA GROUP’S CCO, VLADIMÍR POŘÍZEK

Despite the global crises and mixed expectations, the advertising market grew moderately in 2023 in all media types, says Vladimír Pořízek, FTV Prima group’s CCO. He also talks about how the warm autumn weather has affected the number of viewers in front of their screens or why tv stations have to increase the price of advertising.

How successful is 2023 for Prima in terms of business?

Initial expectations of what 2023 would look like were very unsure. Nobody knew whether there would be another crisis, how clients would behave, how people would behave and how consumption would grow. I remember that we prepared a business plan under about four scenarios – from a 20% market decline to a flat market (a period when the media market in terms of investment volume shows no signs of growth or decline, ed.). At the moment, we can say that the market is growing slightly in all media types. We are growing with it. So, I think it is a successful year.

What do you expect in the next year?

We believe that having succeeded this year, the growth will continue. I do not see any signs anywhere to the contrary. However, let’s keep our fingers crossed, it is a strange time.

It is often said that due to the warm weather this autumn, not too many viewers were sitting in front of their screens. Does the weather really have such a big impact on viewership?

The influence is enormous. Every year, the TV rating curves clearly show that the least number of viewers sit in front of the TV in the summer and the most during the winter. However, this autumn, temperatures remained well above the long-term average throughout September and half of October. It has been extremely warm, which is hugely evident in the viewing figures, which are down between 15% and 20% on last year. Combined with the significant increase in demand for advertising time, we had an insoluble problem. But all television stations are facing it.

In 2024, you are going to sell advertising time at a higher price than in previous years. Why?

Because inventory (advertising space in a given medium that can be sold to clients, ed.) is dwindling, viewers are fewer and fewer, and the cost of producing our content is rising. If we want to maintain the same margin, there has to be a price increase.

Another change you are introducing concerns strategic trading. You are now targeting adults aged 18-69, up from 15-69. Why did you decide to do this?

The main reasons for the change include social responsibility and legal constraints. Many clients cannot and do not want to target audiences under the age of 18. These are mainly producers of confectionery or alcoholic beverages. Another reason is the quality and credibility of the audience we reach, where we provide our clients with a more mature and solvent audience. And last but not least, we have more of these GRPs (Gross Rating Point or cumulative viewership – indicating the percentage of viewers from a given target group who have watched the show, ed.).

Campaign planning using artificial intelligence is also a new feature. How will it work?

Clients tell us which target group they want to focus their advertising on, and the computer software optimises the campaign planning to ensure everyone is as satisfied as possible. Our experience to date suggests that our clients’ campaign affinities could improve by up to five percent.

Another new feature is that you want to know from clients in advance how they plan to spread their investments over the year. Why?

So that we can better plan our inventory and handle client advertising campaigns more efficiently.

Do you plan to connect the online and TV worlds more?

We certainly have a lot of other projects in the pipeline. The online video-on-demand segment will continue to grow at the expense of linear TV. That’s why it’s also necessary to bridge these worlds in terms of planning and handling campaigns for clients. This is what cross-platform measurement, of which we are pioneers in the Czech Republic, is designed to do and we are therefore able to measure the reach.

 

What would you wish Prima for 30 years on the television market?

I wish it to do well, to flourish, to have better and better programmes and to entertain more viewers.

Source: cnn.iprima.cz

LEADING MENA PIRATE SERVICE SHUT DOWN

One of the largest piracy services in the Middle East-North Africa (MENA) region has been shut down in Egypt by the Egyptian police, in collaboration with the Alliance for Creativity and Entertainment (ACE).

According to ACE, CimaClub enabled users to directly download or stream pirated content, offering a VOD library of nearly 50,000 movie and TV series titles in Arabic and their original versions. All ACE members were affected.

It adds that the service attracted more than 29 million monthly visits through its 65 domains. Most of the traffic originated from Egypt, France, Canada, the United States and Germany.

Egyptian police identified and confronted the operator in Giza, Egypt.

Commenting on the shut down, Natasha Matos-Hemingway, chief commercial and marketing officer at Shahid, a leading Arabic streaming platform by MBC Group and ACE member, said: “ACE remains persistent in cracking down on piracy, collaborating closely with authorities to pinpoint unlawful operators in the MENA region.

“This wouldn’t be possible without the assistance of the Egyptian authorities involved, who work diligently to prevent illegal content sharing, and we are grateful to both. It’s no secret that piracy results in tremendous losses, not only for broadcasters, but for production companies and emerging content creators as well. At MBC Group, we remain aligned with ACE in its ongoing mission to protect the intellectual property rights of our creators. We are grateful to the Alliance for their great work throughout the year, and we look forward to continuing to fight content piracy together”.

Fiona Robertson, general counsel of OSN, a member of ACE, added: “Content piracy has severe implications across the entertainment value chain.

“As one of the leading entertainment companies in the region, we are committed to protecting the rights of all content creators by working closely with law enforcement and regulatory authorities in our operational markets.”

Jan van Voorn, executive VP and chief of global content protection for the Motion Picture Association and head of ACE, said: “We applaud the Egyptian police for their swift action in identifying the operator of one of the most notorious piracy services in the MENA region.

“The sheer breadth of this illegal operation affected every ACE member, compromising the intellectual property of numerous creators and content owners. Today’s action underscores the power of a global and joint effort to protect the integrity of the creative marketplace”.