SUPPLIER OF ILLEGAL STREAMS SENTENCED TO PRISON IN LEBANON

The operator of a platform responsible for supplying illegal streams to pirate services around the world, has been convicted and sentenced to 11 months in prison and ordered to pay more than US$90,000 in penalties and damages.

The ruling in a Lebanese court followed a joint criminal complaint by the Premier League, Sky and the Alliance for Creativity and Entertainment (ACE).

The defendant was found guilty of five criminal charges including various intellectual property and cybercrime-related offences.

Kevin Plumb, Premier League General Counsel, said: “The case further demonstrates the Premier League’s commitment to protecting its intellectual property around the world. This is not only important to us and our broadcast partners, but it is essential for the future health of English football and the protection of our fans.”

Matt Hibbert, Group Director of Anti-Piracy at Sky said the partnership with the Premier League, the Alliance for Creativity and Entertainment and international law enforcement was vital in fighting piracy.

“The Lebanese judicial authorities in Lebanon, in collaboration with the Lebanese Cyber Crime Bureau successfully pursued the prosecution of this individual, who has been involved in the egregious theft of content for many years.  We will continue to take steps to shut down organised criminal networks who are intent on stealing our content and whose activities expose consumers to real risks of malware, identity theft and data loss.”

The ruling also ordered that the websites seized be shut down, the defendant’s devices be cleared of all data, and the deletion of all accounts used for client and customer communication.

Source: broadbandtvnews.com

ILLEGAL CONTENT FROM PREHRAJ.TO AND DATOID WILL DISAPPEAR THANKS TO AN AGREEMENT WITH AKTV

The Association of Commercial Television (AKTV) has entered into a new settlement agreement with the services Přehraj.to and Datoid. The operators of these services have agreed to work with ACPV members to prevent the illegal sharing of protected works.

The Association of Commercial Television (AKTV) has reached an agreement with the operators of Přehraj.to and Datoid to protect the copyrights of its members, TV Nova and FTV Prima. The operators have agreed to take technical measures against illegal sharing of copyrighted works. The agreement also includes payment of legal costs.

AKTV is working with the operators on effective content filtering. The operators will maintain an up-to-date list of protected works and improve filtering mechanisms. This cooperation is part of AKTV’s strategy to minimise illegal sharing of programmes.

Klára Brachtlová, President of AKTV, welcomed the agreement as another success in the fight against piracy. AKTV has long focused on legal protection of copyright and awareness-raising activities. It operates an information website on copyright, where interested parties can find explanations of terms and answers to frequently asked questions.

AKTV also publishes articles on new studies on copyright infringement in the European Union. The agreement with Přehraj.to and Datoid is another step towards minimising illegal content sharing. AKTV strives to inform the public about the negative impact of piracy on the cultural and creative industries. The service providers will actively cooperate to update the lists of protected works.

Source: mediaguru.cz

RATINGS IN THE CZECH REPUBLIC ARE DOMINATED BY BIG RETURNS. PRIMA CELEBRATES WITH SERIES HRDINA, NOVA WITH SPECIALISTÉ

In the last few days and weeks, the most successful series were those that viewers already know well. On the other hand, the weekend viewership of the Český lev fell slightly.

At the end of February, the second season of the popular crime series Hrdina arrived on the streaming platform prima+. The now common practice meant the premiere on TV screens a few days later, but this tactic works relatively well for Prima.

Although the viewership of the first episode of the second series (just under 600 thousand viewers) dropped slightly compared to the average for the first series (700 thousand viewers), the series still attracted considerable interest among TV Prima’s male and female viewers and continues to hold its own with the rest of the TV audience.

The second series even rose slightly in the ratings compared to the first one. While the first series of the unpretentious crime series has only 48 percent on CSFD, the second one is currently shining at 54 percent after two episodes. The series has also changed directors. Instead of Jan Haluza (Co ste hasiči, Deníček moderního fotra), Jaroslav Fuit (Jedna rodina, Jedině Tereza) is behind the camera this time. Let’s see if the next episodes will increase in terms of ratings and quality, or if the interest will gradually fade away.

Source: TV Nova

TV Nova has seen even better results with its series Specialisté and Případy mimořádné Marty. Marta with Tatiana Dykova manages to stay just above the 900,000 viewers mark, which is obviously a good result for the creators and TV. Against the series Případy mimořádné Marty stands the rerun of Filip Renč’s crime drama Hlava medúzy, which aroused a lot of interest when it premiered a few years ago and which has apparently not diminished even after all these years. There were 877,000 viewers. So far, Nova is leading.

Specialisté, another of the big spring comebacks, is doing even better. The eleventh season of TV Nova’s popular Czech crime series is not enjoying a very positive rating (it has 36 percent on CSFD), but the viewership is still enormous. The new case of the popular group of investigators attracted 1.06 million viewers to the screens last week, making it one of the most watched shows of the whole week.

Oh, and let’s throw in an interesting fact about the Český lev. As expected, the majority of the awards were shared by Vlny and Metoda Markovič: Hojer, but even such popular Czech works did not help to push the ratings to a new record. On the contrary, compared to last year (almost 700,000 viewers), this year’s broadcast enjoyed only 647,000 viewers.

While this is still within the norm for the last few years, the question is whether this Czech counterweight to the Oscars should generate slightly higher numbers. Perhaps it can only be a consolation that this year’s show is rated 62 percent on CSFD, while last year viewers and viewers gave the Lions a mere 51 percent.

Source: mam.cz

TV NOVA ALREADY KNOWS WHAT WILL REPLACE THE SERIES ‘JEDNA RODINA’ IN THE AUTUMN

TV Nova will continue in the autumn television season with one title scheduled for Tuesday and Thursday prime time.

TV Nova has released several new titles for the second part of the spring season. Among them are some series previously shown on the Voyo platform, such as Král Šumavy, Gumy, and Mozaika, as well as premiere episodes of established Nova programmes. These include the series Specialisté, Případy mimořádné Marty, the quiz show Superlov, and the reality show Survivor. A new addition is the docu-reality Extrémní proměny (Extreme Weight Loss), which follows the transformation of people with obesity. Additionally, a detective series Vraždy v kraji, starring Ondřej Sokol, will also be part of Nova’s spring lineup.

This year’s spring season is also the last in which Nova broadcasts the series Jedna rodina. In the autumn, it will be replaced by a new series, also intended for Tuesday and Thursday evenings, said Silvia Majeská, the Programming Director of TV Nova and TV Markíza, in an interview for MediaGuru.cz.

Following the public unveiling of Oneplay, which took place at the end of February, we also asked about what will change with its launch in the production of Voyo’s original titles, newly called Oneplay Originals, and their possible inclusion in TV Nova’s linear programming.

Questions for Silvia Majeská

The Jedna rodina series will air for the last time this spring season and will conclude this June. Do you know what will replace it starting this autumn?

Yes, we do. We are preparing a new series for the autumn. It will also air twice a week on Tuesdays and Thursdays. It is a completely new project, and we will present it in detail at the summer press conference. It is a project we are looking forward to, created by very experienced creators, and it also brings a very unique theme. The project is already in the intensive production process, and we will launch it in the autumn.

What are its chances with the viewers? Do you expect it to win the Tuesday and Thursday time slots?

We will see, we approach it with humility. In the end, the viewers will decide. It will also depend on the specific offering at that moment. However, we are bringing something different, it is not a completely traditional approach to the Tuesday and Thursday programming. So, we are full of anticipation, but at the same time, we know that there is some risk involved. However, we have a very experienced team, which should be a guarantee that everything will turn out well.

We also noted that new episodes of Kriminálka Anděl will be filmed.

Yes, Kriminálka has had a very successful season. It is primarily being written now, but it will definitely continue in the autumn broadcast.

We are talking shortly after the official introduction of the new service Oneplay, which replaces the existing Voyo. Will the strategy for bringing Voyo’s (or Oneplay’s) original titles to linear TV broadcasts change? This spring, we saw that Nova offered some Voyo Originals like Král Šumavy, Gumy, and is now also airing the series Mozaika, which was previously released on Voyo.

We are continuing with the setup we had. We offered Král Šumavy to viewers as a preview for the February anniversary of TV Nova and also as an incentive to watch the second season of Král Šumavy, which we will release on the new Oneplay service starting on 14 March. We are airing the series Gumy in the second prime-time window, and as for Mozaika, we launched it on Voyo several months in advance. We adopted a similar strategy with the series Případy mimořádné Marty. Mozaika wasn’t created under the Voyo Originals brand, but at that time, we wanted to offer Voyo viewers a quality series for the summer. Now, it has come to TV screens as planned.

With the arrival of Oneplay, the strategy doesn’t change, meaning that Voyo Originals, or now Oneplay Originals, will primarily be available only on Oneplay. Am I right?

Yes, the series we brought from Voyo Originals to television had a long gap between their release on Voyo and on TV. In the future, we will proceed in the same way, selecting when and which originals to include in television broadcasts based on the titles and opportunities. If we believe that viewers will want to enjoy a particular title and there is a suitable opportunity, we will offer them the chance to watch it on TV. However, the exclusivity period for originals on the platform will definitely not be shortened.

Will the Oneplay offering be localised for Slovak viewers, or will Voyo continue there?

In other countries within the entire CME group, we will aim to leverage the technological platform developed for Oneplay, offering viewers a range of options and features. I am convinced that it is just a matter of time before it is implemented in other countries. Each country is different. We will evaluate it based on what makes business sense. Right now, the priority is to successfully complete the migration in the Czech Republic. After that, we can talk about other countries, but it probably won’t happen this year.

Source: mediaguru.cz

ACE TAKES LEGAL ACTION AGAINST IPTV PIRATES

The Alliance for Creativity and Entertainment (ACE) has filed two separate federal lawsuits against individuals in California and Pennsylvania, each accused of operating illegal internet protocol television (IPTV) services.

The first lawsuit, filed in the US District Court for the Central District of California, targets Zachary DeBarr of Murrieta, California, the alleged operator of Outer Limits IPTV. The second lawsuit, filed in the US District Court for the Middle District of Pennsylvania, is against Brandon Weibley of Mechanicsburg, Pennsylvania, who is alleged to have operated multiple illegal IPTV services, including Beast Mode Live, GreenWing Media, Viking Media, BTV, Shrugs, and Zing.

The two unrelated lawsuits allege that DeBarr and Weibley’s services facilitate mass copyright infringement by offering unauthorized access to thousands of pirated television channels, movies, and television shows.

“These lawsuits demonstrate ACE’s unwavering commitment to protecting the creative industry from digital piracy from coast to coast and around the world,”

said Karyn Temple, Senior Executive Vice President and Global General Counsel for the Motion Picture Association.

“Illegal IPTV services not only harm creators and legitimate streaming platforms but also expose consumers to potential security and fraud risks. We will continue to take decisive legal action to shut down these operations and hold infringers accountable.”

Source: broadbandtvnews.com

NO DISCERNIBLE IMPACT FROM EC RECOMMENDATION ON COMBATTING PIRACY OF LIVE EVENTS FOUND IN LATEST REPORT

A second report published today by Grant Thornton, carried out in partnership with the Live Content Coalition, demonstrates the very limited impact of the European Commission’s Recommendation of 4 May 2023 on combating online piracy of sports and other live events. It clearly indicates that the situation continues to deteriorate for live events organisers, broadcasters and workers alike.

The analysis, presented on 4 March in Brussels, covers the full year’s data for 2024 and includes a comparison with Grant Thornton’s previous analysis covering only the first half of 2024. The key findings of this second analysis:

  • 10.8 million takedown notices relating to unauthorised retransmission of live events were submitted to intermediaries.
  • Over 81% of these notices did not result in suspension of the illegal retransmission.
  • Only 2.7% of infringements were acted upon within 30 minutes and 20% took over 120 minutes for action.
  • Dedicated Server Providers[1] received more notices requesting the suspension of retransmissions than Online Platforms and other hosting providers combined, accounting for 52% of all notices submitted across 2024. 89% of these notices did not lead to suspension of the illegal retransmission.
  • Regarding cooperation agreements, the analysis shows that of the notices submitted based on such agreements 86% were directed to online platforms. These have an 84% effectiveness in achieving suspension. Of the notices submitted to Dedicated Server Providers, only 1% were submitted in line with a cooperation agreement. While cooperation agreements can help improve the likelihood of suspensions when correctly implemented, for Dedicated Server Providers complementary measures are needed.

Grant Thornton will continue to monitor the impact of the European Commission’s Recommendation on piracy of live events. The third edition of the analysis will be released in Q3 2025 reporting on key trends during the year and will offer a comprehensive view of progress through year on-year analysis.

Reaction from Live Content Coalition Members

“The latest Grant Thornton report shows that piracy of live content is continuing at pace in Europe in spite of the Recommendation. European broadcasters, sports leagues and other players in the live events environment work tirelessly to protect content from theft. Current measures are clearly not working, whilst technological advances are making piracy easier and more lucrative than ever for criminals. We once again call on the Commission to urgently bring forward legislation requiring the intermediaries, protected by safe harbour provisions, to remove infringing content within the live window, when notified. Organised crime remains the sole beneficiary of this legislative inaction, and it is imperative that we protect the survival of the live events sector in Europe.” – Mark Lichtenhein, Chair of the Sports Rights Owners Coalition,and Grégoire Polad, Director General, Association of Commercial Television and Video on Demand Services in Europe.

About the Live Content Coalition

The Live Content Coalition is a group of representatives of leading European live content producers, broadcasters, and exhibitors. As representatives of live events, including sports, music concerts and festivals, broadcast television and video on demand services, and tickets sellers, we are all united in the fight to stop piracy.


[1] Dedicated Server Providers are defined in Grant Thornton’s analysis as companies or organisations that offer dedicated server hosting services, including server hardware, network infrastructure, and management for hosting websites, applications, and data.

Source: acte.be

In a major crackdown on digital piracy, German authorities have arrested three individuals suspected of running a large-scale illegal streaming operation.

The network, which allegedly distributed a major pay-TV operator’s content to over 30,000 users worldwide, caused multi-million-euro damages, according to the Bavarian Central Office for Cybercrime. The operation, carried out on 18 February 2025, followed nearly two years of intensive investigations by the Cybercrime Division of the Hof Criminal Police and the Bavarian Central Office for Cybercrime. The probe began in June 2023 after the affected pay-TV operator filed a complaint.

The prime suspect, a 36-year-old man from the Wunsiedel district, is believed to have managed the illegal distribution with the help of accomplices. To dismantle the network, police formed a special task force named “Panel,” leading to extensive coordinated raids across 17 locations. Over 150 law enforcement officers from Bavaria, Baden-Württemberg, North Rhine-Westphalia, Schleswig-Holstein, and Saarland took part in the operation.

The authorities seized around €16,000 in cash, €35,000 in cryptocurrencies, and over 200 digital devices. They also deactivated multiple servers used to operate the illegal streaming services.

The three main suspects were arrested and remain in custody following warrants issued by the Bamberg District Court. They face charges including commercial computer fraud, which carries potential prison sentences ranging from six months to ten years. Additional suspects are under investigation for either reselling or personally utilising the illegal streaming services.

Source: broadbandtvnews.com

DISCOVERY, TV4, AND VIAPLAY FILE TAKE LEGAL ACTION AGAINST OPERATORS

Nordic broadcasters Discovery, TV4, and Viaplay have begun legal action against several operators as part of a crackdown on illegal operators.

The three companies have filed a claim with the Stockholm District Court, Patent and Market Court that says the operators are enabling unlicensed service to gain access to their copyrighted content.

One lawsuit said subscribers to the internet service providers have been able to connect to domains run by Nordic One/N1 via their internet connections, gaining them access to the illegal restransmission.

According to the Stockholm-based consultancy Mediaviion said Nordic One/N1 was described as one of the largest criminal entities in Sweden and the Nordic region in relation to illegal IPTV. The service hijacks television broadcasts from TV companies and distributors, then rebroadcasts them to the public for a fee via its own servers – without the consent of the rights holders.

“In light of this, it can be concluded that the internet providers have contributed to Nordic One/N1’s infringement of the rights holders’ respective signal rights,” the lawsuit states.

Discovery, TV4, and Viaplay are seeking a court order to prohibit internet service providers from facilitating the illegal use of their content. In other words, operators should be required to pay a specified sum if they violate the ban. The TV companies argue that the operators are partly responsible, meaning they are facilitating copyright infringement by failing to take action.

The case has echoes of the action taken by LaLiga against Cloudflare.

Mediavision says a growing number of Swedish households are now subscribing to the illegal services. Its data shows that at the end of 2024, over 700,000 households in Sweden were paying for such services – a new record and a significant increase compared to spring 2024.

Source: broadbandtvnews.com

ČT RETAINED THE LEAD IN FEBRUARY, NOVA CONTINUES TO GROW. IT HAS THE BEST RESULTS ALSO IN PRIME-TIME

Czech Television channels had the highest share in the universal 15+ group in February. However, the Nova group, which has the most airtime and also the share in younger audience groups, is growing the most.

Czech Television and its channels maintained the highest share of the TV market in the 15+ audience group in full-time broadcasting this February. Overall, it recorded a share of 28.84%, down 0.9 percentage points year-on-year. In that audience group, the Nova group (27.97%) came close to CT, gaining less than two percentage points compared to February 2024. Close behind was the third Prima group (27.29%), whose share was 0.8 percentage points lower year-on-year. This is according to official data from ATO-Nielsen.

In primary airtime in all key audience groups, as well as in all-day broadcasting in the 15-54 and 18-69 groups, the Nova group has the highest share. Compared to last February’s results, Nova improved in all audience categories, with a significant increase in prime-time share. Nova is the only group in the strong three to improve year-on-year.

Televize Seznam also continues to grow. It ended February with a share of just under 2% and increased its share in the wider 15+ group by 0.5 percentage points. In its primary 18-69 group, its share increased by 0.4 percentage points. This represents a 21% increase year-on-year. It is also increasing its share in prime time.

The Barrandov Group confirmed the stabilisation of results and year-on-year improvements in the 15-54 audience group and in the 18-69 in the evening. TV Barrandov’s main channel showed a slightly better result in February in the wider 15+ group compared to the same month last year (+0.05 pp).

TV Nova is growing the fastests

Of the individual stations, TV Nova posted the highest year-on-year increase in February. In the over-15 audience group in all-day broadcasting, it was almost one percentage point. The news channels CT24 (+0.86 pp) and CNN Prima News (+0.53 pp) also performed well. The Nova Gold (+0.5 pp.), Televize Seznam (+0.5 pp.), Prima Krimi (+0.36 pp.) and Nova Lady (+0.23 pp.) also posted higher shares in February.

Sumava King of the Month

The most watched programme of February was the opening episode of the trilogy Král Šumavy: Fantom temného kraje (Nova), which was watched by 1.26 million viewers (15+, share 32%). This was followed by Televizní noviny (Nova), whose most-watched edition was on 2 February 2025, with 1.22 million viewers, and the top three were rounded off by Zázraky přírody (CT1) with 1.15 million viewers (episode broadcast on 1 February 2025). All shown for CS 15+.

Source: mediaguru.cz

Frequency Spectrum Management Strategy

Position of the Association of Commercial Television on the Czech Telecommunication Office’s Radio Spectrum Management Strategy

 

FEBRUARY 2025

Key comment on the document: 

 In the commented document, we propose removing the intention of the Czech Telecommunication Office (as mentioned, for example, on pages 4, 12, and 13) to prepare a proposal for adjusting the amount of fees for the use of radio spectrum (and the principles for their determination). Specifically, we propose abandoning the measure under which the Czech Telecommunication Office (CTO) would prepare a draft amendment to Government Regulation No. 154/2005 Coll., on the determination of the amount and method of calculating fees for the use of radio frequencies and numbers, for the Ministry of Industry and Trade during 2025.

Justification:

We are submitting this key comment relating to the removal of the intention and abandonment of the measure aimed at adjusting the amount of fees for the following reasons:

The CTO states that, as an integral part of the proposed measures, the Strategy also includes the CTO’s intention to prepare a proposal to adjust the amount of fees for the use of radio spectrum (and the principles for their determination). The aim of such an adjustment is, in particular, to promote the efficient use of radio spectrum by removing barriers to its use, deploying new technological solutions, and supporting the development and provision of modern and related electronic communications services.

We understand the announced activity of the CTO to mean that the adjustment of the fee amount refers to an increase in fees. The document is unclear in this respect; therefore, we primarily request clarification as to the direction the CTO intends to take when it states that it will prepare a proposal to adjust the amount of fees for the use of radio spectrum, including the principles for their determination. Given that the CTO is proposing this adjustment, we assume that the Office already has at least a preliminary concept of how it should be structured. Otherwise, it would not announce such a significant measure with potentially substantial market implications. Our comment is made on the assumption that the proposed adjustment refers to an increase in fees, rather than a reduction.

The CTO plans to initiate further discussions on the fee policy for the use of radio frequencies to promote efficient use of frequencies and create opportunities for the further development of existing and new services, including supporting their maximum possible availability and encouraging innovative approaches to the use of radio frequencies, while taking into account best practices in fee policy.

Considering that it should also be taken into account that “the collection of fees for the use of radio frequencies is gradually increasing and the primary goal of adjusting the fee policy is not to maximise revenue from fee collection”, as stated by the CTO in the document, we consider the proposal to change the fee amounts and the principles for their determination to be an unjustified and unnecessary step in terms of market needs from the perspective of television broadcasting operators.

From a market perspective, we believe there is no need to commission any study or similar document, nor to conduct a professional debate to consider the economic impacts of the fee policy on spectrum users. Given that an increase in fees would undoubtedly impose a heavy burden on the affected entities, we consider the investment of public funds in such investigations a waste of taxpayers’ money. Considering the economic situation in the Czech Republic as well as in the entire European Union, we consider it essential that entrepreneurs using the radio spectrum are not subjected to additional economic burdens—that is, that the current fee policy be maintained without any changes. Therefore, we do not consider updating Government Regulation No. 154/2005 Coll., on the determination of the amount and method of calculating fees for the use of radio frequencies and numbers, to be a strategic priority or necessary, and request that this activity be removed from the CTO’s strategy without replacement, as the current fee levels are appropriately set for the Czech business environment, including with regard to the upcoming period covered by the strategy.

Competitiveness Compass

Position of the Association of Commercial Television on A Competitiveness Compass for the EU

FEBRUARY 2025

Following the publication of A Competitiveness Compass for the EU, prepared by the European Commission, we would like to express our concerns regarding the Union’s economic direction—specifically its approach to competitiveness policy in the upcoming five-year period. The Competitiveness Compass is based on the analysis presented in the Draghi report, which outlines the reasons why the European Union is lagging behind the United States and Asian countries. It identifies several key factors that are slowing down competitiveness. However, the question remains whether the proposed solutions truly reflect the realities of the current European market and whether they provide adequate tools for real improvement, i.e. whether the proposed measures can genuinely revitalise the business environment.

Administrative burden and disproportionate regulation

The growing administrative burden and increasingly complex regulations pose a serious issue for our industry. While it is understandable that regulation must respond to modern challenges such as digitalisation and data protection, it is equally important to maintain a balance between regulation and the real needs of businesses.

Especially the increasing number of new reporting requirements and the implementation of extensive compliance systems—such as those related to ESG obligations—are becoming unsustainable and are draining more and more resources from businesses. These obligations should be applied in a targeted rather than blanket manner, focusing only on areas where they can bring real benefits. It is important to recognise that businesses (throughout the entire digital ecosystem) are required to implement additional compliance systems beyond standard compliance in the narrower sense—for example, to ensure compatibility with the aforementioned ESG obligations, requirements arising from GDPR, NIS2, the Political Advertising Regulation, the Due Diligence Directive, and other regulations. This creates enormous pressure and costs for business entities, compounded by the threat of draconian penalties.

Moreover, these regulations do not sufficiently differentiate obligations based on the size of the entities involved (see below). At the same time, various obligations are applied in situations where they are not appropriate at all. The only real beneficiaries of such regulations are consulting firms that exploit businesses’ fears of high fines. To give an example from our sector, in the case of ESG and carbon footprint monitoring, there is a requirement to include all suppliers in the reporting chain regardless of their relevance or actual contribution, which does not lead to effective or meaningful outcomes. A specific example of absurd regulation is the obligation to report the carbon footprint of television advertisements, which lacks practical sense in the context of the media sector. Calculating such a carbon footprint places a considerable burden on the broadcasters concerned, even though the actual impact of television broadcasting on the overall carbon footprint is minimal, and the contribution of advertisements within that broadcasting is even smaller. For many broadcasters, the intention to contribute positively to the environment has turned into a concern that their carbon footprint calculation for advertising (which is inherently very imprecise due to the nature of individual broadcast spots) might show a higher footprint than their competitors (e.g., due to differing methodologies). This would seriously disadvantage them in the market and lead to the loss of advertising clients, without providing any real benefit to the environment.

Another example of poorly considered regulation can be found in certain obligations under the Digital Services Act (DSA). For instance, even smaller companies operating online platforms are required to report content moderation cases to a database maintained by the European Commission. However, this database already contains approximately 10 billion records per half-year due to VLOPs (Very Large Online Platforms), so adding a few hundred reports from a smaller platform has no practical significance. Additionally, the provisions on out-of-court dispute resolution in the DSA have an entirely inappropriate and illogical structure that has the potential to significantly worsen the business conditions for smaller companies in this sector. Other obligations, such as excessive justification or content removal within the notice-and-action system, are also very burdensome in practice. In particular, for VLOPs, the scope of obligations—whether statutory under the DSA or based on soft law developed from it—regarding the removal of content that is not directly illegal should be carefully reconsidered.

Last but not least, it is necessary to mention a problem we are encountering more and more frequently: the tightening of the interpretation of legal regulations due to changes in the interpretation by regulatory or supervisory authorities or the Court of Justice of the EU. A typical example is the interpretation of the GDPR, which is constantly being made stricter. This includes, for example, the interpretation of the concept of necessity, the assessment of targeted advertising, and so on. From a business perspective, it seems that regulatory authorities and courts are sometimes completely detached from reality and unable to accept that businesses also need some space to operate innovatively. In such a situation, achieving the goals of the Digital Europe strategy will become nothing but a chimaera. While EU bodies often praise themselves for how some EU legal regulations have become models for other countries (GDPR, DSA, etc.), they overlook the fact that other states are trying to learn from our mistakes and design their own regulations so as not to hinder business and societal development, but rather to find a balanced relationship between protecting citizens’ rights and the economy.

The issue of supporting small and medium-sized enterprises

Related to the above is another problematic issue—the differentiation of obligations imposed on individual businesses based on their size. For example, our association represents the most significant commercial broadcasters in the Czech Republic, who are considered large enterprises at the national level. However, on the EU scale, our size is insignificant given the EU market and our influence on it. The Czech Republic is a smaller EU member state that cannot be compared in size to many other member states. In the context of the global market and compared to giants like Google and Meta, the significance of our members is negligible.

Therefore, in the context of the EU media market, we consider it crucial to point out the unfair approach to supporting different types of businesses. While small and medium-sized enterprises are continuously supported both at the EU level and through national programmes funded by European funds, there is a lack of sufficient support for larger national providers, especially in smaller member states such as the Czech Republic.

This difference in approach is not in line with the principles of fair competition and balance and should be reconsidered. Large providers, who are positioned between small national entities and global players, should be ensured fair support and equal conditions within the EU market, rather than being disadvantaged solely because they have reached a certain size.

The necessity of preserving national diversity in the media sector

The European Commission repeatedly speaks about the benefits of the single market; however, it is essential to preserve national diversity in the media sector. The single market may not always be a universal cure-all for every sector, particularly when it comes to the media and the cultural and creative industries in general. This industry is strongly tied to national specifics and values, and these must be preserved. The media sector in individual member states is diverse, and taking these differences into account is crucial to ensuring a high-quality and balanced media environment across the entire EU.

Protection of competition and its consequences

In this context, it is also necessary to mention the issue of competition protection, which in some cases could actually be perceived as a factor working against competitiveness. Recent legislation, such as the European Media Freedom Act (EMFA) and other regulations that include provisions on competition protection, may have disproportionate impacts on the competitiveness of traditional providers — broadcasters. More broadly, various protective regulations in the media sector, which increasingly regulate an already sufficiently regulated sector of traditional players, are undesirable because they can block the emergence of effective competition against non-European multinational players, such as global platforms.

Assessment of the effectiveness of new legislation

The European Commission states that new legislation, such as the DSA, DMA (Digital Markets Act), EMFA, or AI Act, has contributed to the effective functioning of the market. However, this claim is based solely on theoretical assumptions and does not take into account the actual practice and results of these regulations, which have only been in effect for a short time or are still in the implementation phase. In other words, the period during which these laws have been in force is too short to objectively evaluate their benefits for the market, and, therefore, it is premature to label them as successful. This is further compounded by the issue mentioned above regarding the tightening interpretation of these regulations through the opinions of regulatory authorities and court rulings.

Therefore, we consider the current trend very unfortunate, particularly the tendency of the European Commission to begin expanding, supplementing, or introducing additional regulation for the sector almost immediately after a new regulation has been adopted or implemented. This occurs at a time when the impacts and effects of the original legislation have not been (and cannot be) objectively assessed, and it is not possible to determine whether new legislation is necessary at all. Due to their structure, the public consultations prepared by the European Commission allow relevant officials to draw virtually any conclusions from them.

We must emphasise that in the digital economy environment, we have been in a state of permanent implementation of new regulations over the past seven years (essentially since the adoption of the GDPR), which is very exhausting.

Setting fines and protection of business entities

Regarding the setting of fines within European regulation, we consider it essential that their level is either reduced (or at least more differentiated) or that this authority is returned to the national level. The European Commission should strive to lower fines, which are often financially devastating to businesses, and Member States should have the option to decide on the amounts of fines based on local conditions and specifics. This approach would allow for consideration of the actual capacities of businesses and help prevent situations where doing business in the EU is jeopardised by excessive penalties that undermine rather than promote competitiveness.

For reputable businesses, the size of fines serves not only as an incentive to comply with regulations but, unfortunately, often as a deterrent from entering the market altogether. The compliance risk associated with such drastic penalties (often calculated as a percentage of the entire group’s turnover) is simply too high.

Moreover, the interpretation of how fines are determined is again problematic. A clear example of a completely flawed approach is the EDPB Guidelines 04/2022 on the calculation of administrative fines under the GDPR, which practically calculate fines mechanically based on the turnover of the affected company, without allowing, for instance, at the very first stage to limit the base for calculating fines according to how much of the company’s turnover is generated from the activity within which the GDPR violation occurred.

Ensuring a balance between public and private regulation

We cannot agree with the further transfer of state supervisory activities to private entities, which become responsible for enforcing regulations and imposing sanctions, moreover, with the obligation to report their own violations of legal provisions to supervisory authorities (as is, for example, assumed by GDPR or NIS2).

At the same time, it often happens that due to the state’s inability to enforce its own rules against those who violate them, the responsibility for ensuring compliance with legal regulations is rather shifted to other links in the supply chain, regardless of whether they can realistically detect violations by their contractual partner.

This trend is unsustainable, as exemplified by the Act on Advertising Regulation, where in some cases the responsibility for the content of the advertisement is shifted onto the distributor or entities throughout the entire supply chain, leading to excessive burdens and legal uncertainty. Especially in the digital sphere, where the distributor often does not even know in advance what the content of the advertisement placed by the advertiser in their digital inventory will be, and effectively remains unaware of it, this regulation lacks any real sense.

Taxation of platforms

To ensure a level playing field in the audiovisual industry, it is essential to address the issue of platform taxation directly at the European level, which is key to equalising all actors. The current situation, where national (local) providers face different taxation compared to non-European entities, creates unbalanced conditions. For example, AVOD platforms are subject to taxation, while some untaxed platforms from third countries enjoy a significant competitive advantage by not being taxed in this way. This disparity in taxation when providing identical services leads to inequality between European and non-European providers, negatively impacting the competitiveness of the entire European market. We hereby appeal to the European Commission to prepare a unified taxation framework for all players to ensure fair business conditions and competition in the audiovisual sector.

Proposed amendments to the AVMS Directive  

The most important regulation for broadcasters and on-demand audiovisual media service providers is the AVMS Directive. We believe that the following changes should be made to it:

  • Audiovisual commercial communications promoting legal products (alcohol, HFSS foods, potentially gambling) can be an important source of revenue for providers of audiovisual media services. We believe that to maintain the competitiveness of television broadcasting and on-demand AVMS compared to other media types, the AVMS Directive should be amended so that the aim of the codes is not to completely prohibit the exposure of minors to such commercial communications (Article 9 (3) and (4) of the AVMS Directive). We consider it sufficient if self-regulation and co-regulation focus primarily on the content of such commercial communications, especially in the context of the target audience of such advertising.
  • Given the ambiguity of the term “foods and beverages containing nutrients and substances with a nutritional or physiological effect, in particular fat, trans-fatty acids, salt or sodium, and sugars, of which excessive intakes in the overall diet are not recommended,” and the potentially massive impact that restricting commercial communications promoting such products could have on the media market and the competitiveness of television broadcasting and on-demand AVMS, we propose to completely remove the regulation of commercial communications related to these products from the AVMS Directive (Article 9 (4) of the AVMS Directive).
  • With regard to the provision of programmes, we propose that Article 7 of the AVMS Directive be explicitly supplemented to allow Member States to support the provision of programmes by any means, including technical measures, both financially and by other means.
  • We suggest considering whether the obligations under Articles 13 and 16–18 of the AVMS Directive, concerning the support of European and independent production, should be tiered based on audience size and turnover, so that they apply in their full scope only to large providers of audiovisual media services.

Conclusion

To ensure the EUs competitiveness in the upcoming period, it is essential to maintain flexibility and balance between the single market and national specifics, as well as between the rights of service users and their providers. In addition, the media sector should remain protected from overly rigid and inappropriate regulations.

Legislation that is meant to truly support market competition should take into account the realities and needs of different markets, and be continuously monitored and, after careful consideration, adapted to current challenges.

We believe that the main message we identified in the Compass—namely, the thesis that “we cannot continue as we have until now”—will be fulfilled through specific steps that will contribute to a more business-friendly environment, from which the entire EU society, including future generations, will benefit. 

Privacy Overview

This website uses cookies so that we can provide you with the best user experience possible. Cookie information is stored in your browser and performs functions such as recognising you when you return to our website and helping our team to understand which sections of the website you find most interesting and useful.